Abstract:
Digitization efforts and web presentations are currently on-going in many museums, archives, libraries and culture heritage institutions in general, exploiting the advent of WWW and digitization technologies. The main benefits from these efforts are exhibit cataloguing, their effective management, preservation and showcasing, and their presentation to the public through the WWW. However, many museums, especially the smaller ones, cannot afford a commercial product and resort to using simple static web pages for their web presence and exhibit presentation. Content Management Systems (CMS), especially open-source ones which come with practically zero-cost, are more and more frequently adopted by museums to create and maintain their website, since they simplify the creation and editing of the web pages and may be used by non-computer experts. In this work we present a module for the Drupal CMS, which provides functionality for (a) Database schema extension to accommodate museum exhibit and collection information (b) Digital exhibit representation (DER) management. (c) Provision of administration pages through which the museum personnel may enter and manage exhibit and collection information (d) WWW scowcasing and (e) Batch data import/export, to facilitate information exchange with other museums.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
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drupal-abstract-v1.3.pdf | 16.06 KB |
drupal_A3.jpg | 919.83 KB |
Abstract:
In this paper we present a system that facilitates virtual museum development and usage. The system is based on a game engine, ensuring thus minimal cost and good performance, and includes provisions that enable museum curators design the virtual museum without any specialized knowledge. Besides visual and auditory information, museum curators may also provide metadata which provide additional information to the visitor, while they can be also exploited for searching for exhibits with certain properties. A guide is also included in the museum, to present additional information to the visitors and aid them throughout their tour.
The article is available through the ACM author-izer service:
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mus-game-auth-tr.pdf | 478.14 KB |
Abstract:
The process of designing systems or products largely depends on a number of decisions, like "who do I design for?", "what should my product do?", "what are the user requirements?" etc. The developing teams usually base their decisions on experience and/or heuristics and this is particularly the case, in the development of online products and especially online exhibitions. The different solutions are frequently case studies of specific museums or institutions that wish to provide online content to actual or possible visitors. In addition, the interdisciplinary nature of the endeavor, involving museology, technology but also education, poses important design problems. In the following sections, we present a generic methodology for the design of online exhibitions, using top-down processes and transferable findings across museum types that wish to assist the designers during the early decision stages.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
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mus-chap-tr.pdf | 362.82 KB |
Abstract:
This chapter presents an architecture for supporting the creation of adaptive virtual reality museums on the web. It argues whether the task of developing adaptive virtual reality museums is a complex one, presenting key challenges, and should thus be facilitated by means of a supporting architecture and relevant tools. The proposed architecture is flexible enough to cater for a variety of user needs, and modular promoting extensibility, maintainability and tailorability. Adoption of this architecture will greatly simplify the development of adaptive virtual reality museums, reducing the needed effort to exhibit digitisation and user profile specification; user profiles are further refined dynamically through the user data recorder and the user modelling engine, which provide input for the virtual environment generator.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
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adaptiveVRmuseumsOnWeb.pdf | 224.7 KB |
Abstract:
The current paper describes an approach to designing and implementing a virtual environment comprising ten different museums. The number of museums as well as the variety of their exhibits lead to the adoption of a generalised strategy that catered for all museum presentation needs and allowed for future expansion. Furthermore, the system architecture supports the delivery of multimedia content either over the Internet or via a local immersive virtual reality installation.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
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approach2design.pdf | 221.22 KB |
Abstract:
The emergence of the World Wide Web during the past few years has provided a medium for
communicating information faster and to more people than before. The technologies used allow for the
development of personalised, adaptive to the users’ needs, information systems. So far, the complexity
of the design and implementation of Virtual Environments has restricted their usage in locally
executed, stand-alone applications. In this paper we propose an architecture that permits and facilitates
the dynamic, on-the-fly creation of Virtual Environments on the Web that adapt to the users’
preferences and profiles. We focus on the algorithms available for creating an efficient virtual
environment generation engine. We illustrate the proposed architecture with examples from a case
study of a Virtual Museum.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
Abstract:
Past years have seen the exploitation of multimedia techniques and lately the introduction of virtual reality methods to create new forms of presentation for museums' exhibitions. Virtual Reality can offer a number of advantages to museums, offering a way to overcome some common problems like the lack of space or the need of visitors to interact with the exhibits. A broad categorisation of virtual museums reveals that they vary from fully immersive cave systems to simple multimedia presentations. In our approach to develop a virtual reality museum we have designed a virtual environment (VE) where guests can visit a total of ten different museums. The processes of digitisation, architectural design and exhibit presentation are outlined and points of particular importance are explained. Exhibits from the real world museums have been digitised and integrated in the VE. The system has been implemented in two versions: one fully immersive and one with a stereo display.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
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build-vr-mus-in-mus.pdf | 278.97 KB |
Abstract
A virtual environment system installed within a real museum can offer a number of advantages, which are discussed in this paper: overcoming the lack of exhibition space, responding to the need for interaction with certain exhibits, affording easy transfer of exhibitions to remote sites. This paper also presents an approach towards designing and developing a virtual reality museum comprising ten different museums. The processes of digitisation, architectural design and exhibit presentation are outlined and points of particular importance are explained. Exhibits from real world museums have been digitised and integrated in this VE.
Article available through the ACM AUthro-izer service:
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design-vr-mus-in-mus.pdf | 133.37 KB |
Abstract
The paper presents an environment that enables museum curators to catalogue and publish on the web exhibits in multiple languages and media including 3D, video, images. The system is extendable to accommodate new media types, languages, exhibits, information categories, etc. Visitors have the potential to formulate dynamic personalised exhibit collections using search mechanisms provided by the system.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
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FacilitatingVRMuseumsWebPresence.pdf | 443.59 KB |
Abstract:
When creating a virtual environment open to the public a number of challenges have to be addressed. The equipment has to be chosen carefully in order to be be able to withstand hard every-day usage, the application has not only to be robust and easy to use, but has also to be appealing to the user, etc. The current paper presents findings gathered from the creation of a multi-thematic virtual museum environment to be offered to visitors of real world museums. A number of design and implementation aspects are described along with an experiment designed to evaluate alternative approaches for implementing the navigation in a virtual museum environment. The paper is concluded with insights gained from the development of the Virtual Museum and portrays future research plans.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
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RealExhibitionsInVR-museums.pdf | 475.18 KB |
Abstract:
This paper presents an innovative approach based on social-network gaming, which will extract players’ cognitive styles for personalization purposes. Cognitive styles describe the way individuals think, perceive and remember information and can be exploited to personalize user interaction. Questionnaires are usually employed to identify cognitive styles, a tedious process for most users. Our approach relies on a Facebook game for discovering potential visitors’ cognitive styles with an ultimate goal of enhancing the overall visitors' experience in the museum. By hosting such a game on the museum’s webpage and on Facebook, the museum aims to attract new visitors, as well as to support the user profiling process.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
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gala13.pdf | 114.19 KB |
Abstract
Museums have started to realise the potential of new technologies for the development of edutainment content and services for their visitors. Virtual reality technologies promise to offer a vivid, enjoyable experience to the museums guests, but the cost in time, effort and resources can prove to be overwhelming. In this paper, we propose the use of 3D game technologies for the purpose of developing affordable, easy to use and pleasing virtual environments. To this end, we present a case study based on an already developed version of a virtual museum and a newly implemented version that uses game technologies. The informal assessment indicates that game technologies can offer a prominent and viable solution to the need for affordable desktop virtual reality systems.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
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vr-museums-with-game-technology.pdf | 601.84 KB |
Abstract:
This special issue explores the extent to which virtual reality (VR) is affecting the creation of an electronic society. E-Society is a broad term used to describe a research area covering aspects of digital technologies for large user communities. Recent years have seen the emergence of various electronic services in an attempt to facilitate everyday life and improve the way common tasks are being carried out. Ôhe term e-Society covers a wide range of applications from e-government, e-democracy, and e-business to e-learning and e-health. In order for VR to contribute to the creation and advancement of e-Society, a number of issues have to be tackled. A successful VR system has to find a balance between the hardware requirements, user interaction methods, content presentation and the effort required for development and maintenance. Hardware requirements define to a large degree the extent to which an end-user can afford to execute the VR system at her home. User interaction methods have to cater for the variety of users¢ needs. Overall, design and implementation of a successful and engaging VR system is a rather difficult and complex task which requires increased effort in human power and resources in comparison to typical window based applications. Flexibility in development and subsequently maintenance of such a system can be achieved by adopting techniques already present in rapid application development environments, like abstraction, automatic code generation and reusability.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.
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editorial-vr-spec.pdf | 82.6 KB |
Abstract:
There is a wide range of meta-data standards for the documentation of museum related information, such as CIDOC-CRM; these standards focus on the description of distinct exhibits. In contrast, there is a lack of standards for the digitization and documentation of the routes followed and information provided by museum guides. In this work we propose the notion of the narrative, which can be used to model a guided museum visit. We provide a formalization for the narrative so that it can be digitally encoded, and thus preserved, shared, re-used, further developed and exploited, and also propose an intuitive visualization approach.
Abstract:
In this short paper we examine the suitability of the Google Cardboard as a means for the delivery of personalized cultural experiences. Specifically, we develop the content and create the application required in order to provide highly personalized visits to the Archaeological Museum in Tripolis, Greece. We also examine the usability issues related to the use of Google Cardboards. Early results are promising, and based on them we also outline the next steps ahead.
Abstract:
The Human-Computer Interaction and Virtual Reality Lab, at the Department of Informatics and Telecommunications of the University of Peloponnese, aims to conduct high quality research in areas related to the analysis, design, develop-ment, and evaluation of HCI and VR systems and applications, and in parallel to support the teaching requirements of the department in the respective field. Over the last years the HCI-VR lab particularly focuses on Cultural Heritage and de-velops technologies primarily for spaces of cultural heritage that cover the diverse needs of heterogeneous audiences providing holistic visitor experience. The HCI-VR lab is actively participating in National and European projects on Cultural Heritage, such as FP7 Experimedia (https://hci-vr.dit.uop.gr/experimedia), H2020 CrossCult (www.crosscult.eu) and multiple projects from the National Strategic Reference Framework.
Note: This material is presented to ensure timely dissemination of scholarly and technical work. Copyright and all rights therein are retained by authors or by other copyright holders. All persons copying this information are expected to adhere to the terms and constraints invoked by each author's copyright. In most cases, these works may not be reposted without the explicit permission of the copyright holder.